I have a new short short story, “Sea Change” up at Tin House, for their Flash Fridays series. It’s a bit of a climate change story, you could say.
It’s the second time these good folks have let a story of mine in. Last time was three years ago, nearly to the day, when they published “The Brotherhood of Wednesday Afternoons“. You could, like, read that too. Yes?
I have a short story, “The Proverb Zoo”, in the brand-new New-Zealand based magazine Geometry. You can read it on line, or buy a gorgeous physical issue for a discounted price on their website, and help a promising new magazine on their way up!
I’m a bit late posting this up, but I had a short story published in the great 3:AM Magazine a couple of weeks back. It’s called Unspeakable Stop-overs, and it’s about, well, I’m not sure. The difficulties of communication, the randomness of story-telling, maybe.
You tell me.
I’m a bit late on this, but the good folks of Maudlin House had me over on their site as one of their Writers of the Week. So I’m Writer of Last Week. I’m old news. Washed up.
You can still go have a look at it, though. And at the whole mag: Maudlin House publishes “all forms of transgressive, absurdist and minimalist literature”, and are looking for submissions.
The new issue of The Maine Review is just out, and it contains my story “Return to Aragón”. It features holidays in Spain, a midlife crisis-ing father, an old trailer sitting in wait in a nook of the Pyrenees.
I’m waiting to get my copy myself, but if you’re interested you can check out their store, where you can find print or digital issues.
And if you write, The Maine Review will be open for submissions in February and March. They pay $50 per poem and 0.03c/word for prose.
I’m a bit late posting this here, but hey, well, ahum. No excuse, really. It’s something I’m really proud of, though, a story that kind of doesn’t follow a traditional timeline, you know, with stuff like time going forward and events happening one after the other and all that stuff.
It’s also a story that features landscape in a big way, and I took great pleasure in casting the Monts d’Arrée, the Brittany mountains I often crossed as a child, and a significant place in Breton mythology.
Another aspect I tried to transcribe in English was the roughness, or round-aboutness, of the French my grand-parents use.
I was very happy with the illustration (by Tracy Durnell), which brilliantly captures the duality of the story, and its darkness (extra kudos for the research into traditional dress, and the black and white that echos the Gwenn-ha-du, the B&W Breton flag…). This is Liminal Stories’ second issue, and in their short life they have managed to position themselves as a very serious and high-profile speculative fiction magazine. I can only encourage you to read everything they put out!
So have an old read, folks, and let me know what you think.
I have a short story, “Lonely Red World Serenade”, up in the inaugural issue of Helios Quarterly. You can and should get it here, to get your fill of speculative fiction and poetry on the theme of miscommunication.
My own contribution is a story of robotic unrequited love set, as you might have guessed, on Mars.
If you write that kind of stuff, Helios will be open to submissions for the first two weeks of October for another themed issue, details of which you can find here.